: Museum inventory; RKD, The Witt microfiche no. 134030; RKD images artwork no. 43980; C.M.A.A. Lindeman, Joachim Anth. Wtewael, Utrecht 1929, no. 31 (ill.); A.W. Lowenthal, Joachim Wtewael and Dutch Mannerism, 1986, no. A-84 (ill.); see Sotheby's cat., New York, 17 January 1992, no. 22 (ill.); see Sotheby's cat., New York, 14 January 1994, no. 125 (ill.)
Circa 1920 <> ?
: Pfeiffer (collectie), Braunschweig [nl]
:
: Inventaris museum; RKD beelddocumentatie nr.522; RKD Iconclass fotocollectie; RKD images kunstwerknr.43980; A.W. Lowenthal, Joachim Wtewael and Dutch Mannerism, 1986, nr.A-84 (afb.) ; vlg.cat. Sotheby's New York 17 januari 1992,nr.22 (afb.); vlg.cat. Sotheby's New York 14 januari 1994,nr.125 (afb.) [nl]
Vóór 1929
: Walter Hauth (art dealer), Frankfurt/Stuttgart
:
: Museum inventory; RKD, The Witt microfiche no. 134030; RKD images artwork no. 43980; C.M.A.A. Lindeman, Joachim Anth. Wtewael, Utrecht 1929, no. 31 (ill.); A.W. Lowenthal, Joachim Wtewael and Dutch Mannerism, 1986, no. A-84 (ill.); see Sotheby's cat., New York, 17 January 1992, no. 22 (ill.); see Sotheby's cat., New York, 14 January 1994, no. 125 (ill.)
Vóór 1947 <> 1992-01-17
: Private collection, Buenos Aires
:
: Museum inventory; RKD Visual Documentation no. 522; RKD images artwork no. 43980; A.W. Lowenthal, Joachim Wtewael and Dutch Mannerism, 1986, no. A-84 (ill.)
17-1-1992
: Sotheby’s (auction), New York (unsold)
:
: Museum inventory; RKD Visual Documentation no. 522; RKD images artwork no. 43980; see Sotheby's cat., New York, 17 January 1992, no. 22 (ill.)
14-1-1994
: Sotheby’s (auction), New York
:
: Museum inventory; RKD Visual Documentation no. 522; RKD images artwork no. 43980; see Sotheby's cat., New York, 14 January 1994, no. 125 (ill.)
1994-01-14 <>1999-11
: Private collection, United States
:
: Museum inventory
1999-11
: Purchased by Centraal Museum from a private source
:
: Museum inventory
1999-11 <> heden
: Centraal museum [nl]
:
Current restitution status
No requests
: New information makes it likely that the provenance of this painting is much less problematic than was initially believed. This information significantly reduces the possibility that this picture could have been looted, confiscated, or sold under duress in the period 1933 to 1945. It continues to be mentioned on this website for the sake of completeness.
Research findings
No information is available regarding the painting's owner before it entered a private collection in Buenos Aires in 1947.
The gap in the provenance record during the war years and the painting's presence in collections in Germany before the war raises major doubts. The museum is attempted to contact the consignor through Sotheby's, to date unsuccessfully.
