LIMBURGS PROVINCIAAL MUSEUM VOOR KUNST EN OUDHEDEN; MAASTRICHT; ... [Naoorlogs]
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etiket
LIMBURGS PROVINCIAAL MUSEUM ... [etc. Naoorlogs. Met opschrift 'I' = romeins cijfer 1]
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Prov.Mus.-Maastricht; inv.no.647 [Naoorlogs]
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nummer
43072 [Lichtblauw krijt. Munchen-nummer]
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nummer
I [Romeins cijfer 1? Lichtblauw krijt. Relatie met Munchen-nummer?]
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nummer
15.157 [Witte inkt op zwart-bruine ondergrond]
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stempel
[MINISTERIE V. FINANCIEN Centr. Vermo]gensopsp.d[ienst. Naoorlogs]
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Reconstruction of provenance history
: Kunsthandlung E. Burg Berger [nl]
: art dealers
: Berlijn [nl]
: Witt Library
: In 1938 werd dit schilderij tentoongesteld in Parijs en was het nog in het bezit van Burg Berger. De Witt Library geeft als herkomst Stockholm waar Burg Berger ook vaak was. [nl]
: Paech, W.M.H. [nl]
: art dealers
: Amsterdam [nl]
: RKD, fotodocumentatie;
: Dit herkomst naam is onzeker. Het is bekend dat Paech handelde vaak met kunsthandel Burg Berger. [nl]
There is no, or insufficient provenance information known about this object from the period 1933-1945. After investigation, no sources have been found to date that can provide information to complete its provenance in the period. Therefore, no conclusions can be made regarding possible suspicious provenance or involuntary loss of ownership.
The provenance of this painting is unclear. At present, there are no leads for conducting further research into the provenance of this object for the period from 1933 to 1945. It is unknown how, when and under what circumstances the art dealer Burg Berger, based in Berlin (Stockholm), acquired this painting. It is also unknown how, when and under what circumstances the art dealer W. Paech, Amsterdam, acquired this painting. It is also unknown how, when and under what circumstances A. Ramaker from Lunteren acquired this painting. It is known, however, that in 1944, Ramaker sold this painting to Göpel.
